Publications

Stylization in the style of Berthe Morisot (1841-1895) (Kotovenko et al. Using 2019)
Roland Penrose, The Real Woman (1937), collage, National Trust

Lang, Sabine and Björn Ommer: Transforming Information Into Knowledge: How Computational Methods Reshape Art History. Digital Humanities Quarterly, Alliance of Digital Humanities Organizations (2020), pre-print.

Kotovenko, D., Sanakoyeu, A., Lang, S., and B. Ommer: Content and Style Disentanglement for Artistic Style Transfer. Proceedings of the International Conference on Computer Vision (ICCV, 2019), 4422-4431. HERE

 

Kotovenko, D., Sanakoyeu, A., Lang, S. Ma, P. and B. Ommer: A Content Transformation Block For Image Style Transfer. Proceedings of the Conference on Computer Vision and Pattern Recognition (CVPR, 2019), 10032-10041.   HERE 

Lang, Sabine and Björn Ommer: Reconstructing Histories: The Analysis of Exhibition Photographs with Computational Methods. Arts Journal, Special Issue: ‘Computational Aesthetics’, 7:64 (2018).   HERE

 

Lang, Sabine and Björn Ommer: Reflecting on How Artworks are Processed and Analyzed by Computer Vision. Proceedings of the European Conference on Computer Vision, VISART Workshop (ECCV, 2018), 647-652.   HERE

 

Sanakoyeu, A., Kotovenko, D., Lang, S. and Ommer, B.: A Style-Aware Content Loss for Real-Time HD Style Transfer. Proceedings of the European Conference on Computer Vision (ECCV, 2018), 715-731.   HERE

 

Lang, Sabine and Björn Ommer: Attesting Similarity: Supporting the Organization and Study of Art Image Collections with Computer Vision. Digital Scholarship in the Humanities, Oxford, Oxford University Press, 33:4 (2018), 845-856.   HERE 


Lang, Sabine: Studien zu Roland Penrose, dem Englischen Surrealismus und der Farley Farm als Künstlerhaus und Repräsentantin des künstlerischen Werkes. Dissertationsschrift, Universitätsbibliothek Tübingen (2016).   HERE